Various – Classic Moods - Over Two Hours Of Music To Free The Mind And Touch The Soul - 2 Discs (Used) (Mint Condition)
Tk 1,300.00
| A1 | Johann Sebastian Bach– | Adagio From Cello Sonata In G Minor (Opening) | |
| A2 | Jean Sibelius– | The Swan Of Tuonela | |
| A3 | Franz Schubert– | Adagio From String Quintet (Opening) | |
| A4 | Erik Satie– | Gnossienne No. 1 | |
| A5 | Edvard Grieg– | The Last Spring | |
| A6 | Jesús Guridi– | Aritz Adarean | |
| A7 | Sir Edward Elgar– | Elegy For Strings | |
| A8 | Wolfgang Amadeus Mozart– | Adagio From Piano Sonata In D | |
| A9 | Alessandro Marcello– | Andante From Oboe Concerto In D Minor | |
| A10 | Samuel Barber– | Adagio For Strings | |
| A11 | Antonio Vivaldi– | Andante From Guitar Concerto In D | |
| A12 | Franz Liszt– | Consolation No. 3 | |
| A13 | Michael Nyman– | The Infinite Complexities Of Christmas | |
| A14 | Benjamin Britten– | Interlude From 'A Ceremony Of Carols' | |
| A15 | Sir Edward Elgar– | Sospiri | |
| A16 | Johann Sebastian Bach– | Theme From 'Goldberg Variations' | |
| CD2 Dreams, Fantasy & Nostalgic Romance | |||
| B1 | Dmitri Shostakovich– | Romance From 'The Gadfly' | |
| B2 | Joaquín Rodrigo– | Adagio From 'Fantasia For A Gentleman' | |
| B3 | Claude Debussy– | Prelude To The Afternoon Of A Faun (Opening) | |
| B4 | Alphons Czibulka– | Love's Dream After The Ball | |
| B5 | Jacques Offenbach– | Barcarolle | |
| B6 | Camille Saint-Saëns– | Adagio From Third Symphony (Opening) | |
| B7 | Giacomo Puccini– | Prelude To 'Le Villi' | |
| B8 | Carl Nielsen– | Aladdin's Dream And Dance Of The Morning Mist | |
| B9 | Gabriel Fauré– | Sicilienne | |
| B10 | Gustav Mahler– | Adagietto From Fifth Symphony | |
| B11 | Frederick Delius– | Intermezzo And Serenade From Hassan | |
| B12 | Dmitri Shostakovich– | Andante From Second Piano Concerto | |
| B13 | Henri Duparc– | Ecstasy | |
| B14 | Georges Bizet– | Intermezzo From Carmen | |
| B15 | Jules Massenet– | The Last Sleep Of The Virgin | |
| B16 | Sergei Vasilyevich Rachmaninoff– | Adagio From Second Symphony (Conclusion) |
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